“A THROWBACK TO THE DAYS WHEN POP MUSIC COULD TRANSPORT THE LISTENER TO ANOTHER WORLD” ★★★★★ – SCOTLAND ON SUNDAY
“INTOXICATING” ★★★★ – UNCUT
“CHARMING, FRESH AND QUIETLY OUTRÉ” ★★★★ – OBSERVER MUSIC MONTHLY
Something of a sonic hermit, Pictish Trail has spent large parts of the past few years tucked away in his caravan on the Hebridean isle of Eigg, feverishly working on the follow up to Secret Soundz Vol. 1 & 2, his critically- acclaimed double album of DIY electronic folk-tinged croft pop, released in 2014. Future Echoes is the mesmerising result. Written in remote seclusion but recorded in the bustling heart of London, it reunites Pictish Trail with Adem Ilhan, who produces the majority of the record. Johnny and Adem previously wrote music together in 2010 under the name Silver Columns, releasing the hugely well received album Yes And Dance via London taste-makers Moshi Moshi. Future Echoes features additional production and mixing from Rob Jones (Cocknbullkid, Sweet Baboo, Slow Club) and drumming from Alex Thomas (Squarepusher, Air) and was mastered by Guy Davie at Electric Mastering.
A very personal musing on mortality, the death of friendships and the finality of things, Future Echoes represents the most confident, cohesive and pop-savvy collection of music Pictish Trail has written to date. The album’s opener and first single ‘Far Gone (Don’t Leave)’ takes its cues both musically and thematically from the Coen brothers’ Fargo, adding a tongue-in- cheek hip-hop beat, raspy Casio keyboard bassline and echo-slathered vocal over the top of an ominously queasy sample. ‘Dead Connection’ is a dizzying and very danceable dispatch of ghostly electro all about attempted discourse with the dead and accepting that what is gone is gone. ‘Half-Life’ slows things down at the album’s half way stage for a by-turns shuddering and twinkling take on decaying and yet somehow still interminable relationships, while closer ‘After-Life’ is a twisted polyrhythmic psychedelic disco opus, with a chorus sung in a Jimmy Somerville-worthy falsetto, reflecting on reincarnation and life lived on repeat. Which is exactly what you’ll be putting Future Echoes on by the time you get that far.
Not one to rest on his laurels, Lynch is also busy running his own musical empire from the remote Hebridean island Eigg (56°54’N, 06°10’W) he calls home. Following ten successful years running Fife’s infamous Fence Records, last year, Lynch moved on to pastures new and founded Scotland’s most exciting new label Lost Map Records, and hosted the inaugural Howlin’ Fling Festival on Eigg in July 2014.